Festival 2010 NL

Poet

Ken Babstock 1970-...

country: Canada
language: English
Ken Babstock is one of the most prominent young Canadian poets to begin publishing in the 1990s. He was born in Newfoundland and raised in the Ottawa Valley. He began publishing his poems in journals and anthologies, winning gold at the 1997 National Magazine Awards. His first collection, Mean, (1999) won him the Milton Acorn Award and the Atlantic Poetry Prize. He has since published a second collection, Days into Flatspin, which has also come in for high critical praise.
Ken Babstock worked as Poetry Faculty at the Banff Centre for the Arts and currently lives in Toronto.
If some poets could be said to be painters with language, Babstock would best be termed a carpenter. Even literally so, because several of Mean’s best poems are about building decks, applying Spackle or framing houses. Babstock hammers in similes and metaphors: a flapping tent is ‘a lung on a ledge’, the sun is ‘a loonie in a busker’s fez’, prairie dogs are ‘nervous clerics at prayer’.
As for Babstock’s style, he says his main principle is compression. ‘I have a hard time allowing a line to drift towards prose. Or to speak in a toned-down, conversational voice. There have been fantastic poems written in that voice, but I’m more drawn toward compression and the kind of clanging of consonants and vowels that I fell in love with from reading poets that I like.’ Among the poets he likes are his Canadian contemporaries and some classics, especially Dante and Shakespeare.
Babstock mostlly writes free verse, though he occasionally employs more traditional forms: sonnet, terza rime, quatrains (rhymed and unrhymed), tercets and couplets.


Author: Ko Kooman
Translated by Ko Kooman
Ken Babstock (Canada, 1970) was born in Newfoundland and grew up in the Ottawa Valley. He has taught at the Banff Centre for the Arts, and currently lives in Toronto. He has published two collections of poems, both of which have won high critical praise for their original tone, power of observation and virtuoso use of language. Babstock is seen as one of the most powerful new voices in Canadian poetry.



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